• Cirque du Soleil’s “Crystal” at Fishers Event Center, a photo preview
• The Gatlin Brothers at Brown Country Music Center
• The Black Keys will perform at Innings Festival, Feb 21.
• Gary Clark Jr. will rock the Innings Festival 2025
• Fall Out Boy to appear at Innings Festival in February
• Kris Kristofferson passes away at 88

All posts by Kath Galasso

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  Kimaya Diggs Finds a Complicated Kind of Home on ‘Green’

  The backyard behind Kimaya Diggs’ home holds one version of belonging. Woods give way to farmland, native plants grow where invasive species once stood, and birds and insects populate a landscape she has spent years tending. That...

  • Posted October 2, 2026
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  Firerose Rises Into A New Chapter With “Phoenix”

  Firerose has spent the past year speaking increasingly openly about survival, healing and the difficult process of reclaiming a voice that had been diminished. With “Phoenix,” those subjects move directly into her music. The new single, released...

  • Posted October 2, 2026
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  Ava Della Pietra Leaves Room for Mixed Feelings on “Happy For You (Acoustic)”

  Being happy for someone can involve a fair amount of private disappointment. Ava Della Pietra takes that uncomfortable overlap seriously on “Happy For You (Acoustic)”, released October 2, revisiting a song about watching a crush choose somebody...

  • Posted October 2, 2026
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  Ute Lemper on MOTHERS, Motherhood and Making Music for Peace in a Divided World

  The internationally acclaimed singer, actress and composer discusses the deeply personal origins of her new 18-language global peace project, the political conscience that has shaped her work for more than four decades, and why she believes mothers...

  • Posted October 1, 2026
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  On The Y-Verse, Lisa B Builds an Alternate Route Through the Music of the ’60s

  The most revealing word in the title ’60s Magic Now!: The Y-Verse may be “now.” Lisa B’s album draws its repertoire from music deeply associated with another era, yet nearly every interpretive decision is designed to prevent...

  • Posted September 25, 2026
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  David Fagin’s Memoir Captures the Music Business Just Before the Internet Changed It

  One of the pleasures of Confessions of a Musical Masochist is realizing how often David Fagin and The Rosenbergs arrived at music-business arguments before the industry had developed comfortable language for them. Viral outrage, artist-owned masters, direct...

  • Posted September 25, 2026
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  2ŁØT Find the Harder Road After Survival on ‘RE/SOLVE’

  A debut built around disorder leaves an obvious question behind: what happens once the immediate crisis has passed? On RE/SOLVE, Wichita five-piece 2ŁØT spend 16 tracks answering it without pretending recovery produces a clean ending. The follow-up...

  • Posted September 25, 2026
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  HOL1D4Y Turns Recovery Into a Question of Identity on ‘Topology’

  The accident at the center of Topology could easily have swallowed the record’s story. Scott Holiday was struck by a car while riding his bicycle home, suffering six broken ribs, a serious shoulder injury and a head...

  • Posted September 25, 2026
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  Tommy Z Lets the Audience Lead the Way on ‘Live in Colombia’

  The audience is often treated as background sound on a concert album. On Tommy Z’s forthcoming Live in Colombia, the people inside Teatro Santander help define the recording’s character. That role is clearest on the latest single,...

  • Posted September 24, 2026
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  An Unused Television Song Finds a Much Larger Life in Ute Lemper’s MOTHERS

  Some songs arrive quickly. Ute Lemper’s MOTHERS took a considerably longer route, beginning as music for a European television program before eventually developing into a 17-language international peace project. Lemper originally wrote “MOTHERS” while hosting a television...

  • Posted September 21, 2026
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