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  2ŁØT Let Ambiguity Lead the Way on “I Hurt Myself Again”

  There’s a noticeable shift happening in 2ŁØT’s recent material. While the band’s earlier releases...

  • Posted May 15, 2026
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  On ‘Break My Chains,’ Alex Kilroy Treats Blues-Rock as a Living Form

  The most interesting thing about Alex Kilroy’s debut album isn’t the technical playing, though...

  • Posted May 15, 2026
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  Young Allies Find Their Shape in Real Time on “Fingers Entwined”

  Young Allies arrive with the kind of origin story that makes sense only after...

  • Posted May 13, 2026
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  Kenny Wayne Shepherd Revisits His Breakthrough Without Trying to Rewrite It

  Anniversary re-recordings can go a few different ways. Some artists radically reinvent old material...

  • Posted May 8, 2026
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  Alex Kilroy Finds His Own Lane on “Let The Good Times Roll”

  There’s a certain kind of blues-rock record that can feel overly calculated these days...

  • Posted May 8, 2026
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  AIMP Congratulates Jeff Brabec and Todd Brabec on Artistic License Award from California Lawyers for the Arts

  The Association of Independent Music Publishers (AIMP) congratulates longtime music publishing leaders Jeff Brabec and Todd Brabec on being named...

  • Posted May 8, 2026
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  Kenny Wayne Shepherd Band Honors 30 Years of Ledbetter Heights at Brown County Music Center

  The Kenny Wayne Shepherd Band rolled into the Brown County Music Center in Nashville,...

  • Posted May 7, 2026
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  The Black Keys: Gritty Blues-Rock Gold at Louisville Palace

  The Black Keys have a way of making a packed theater feel like a...

  • Posted May 5, 2026
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  Maria Ellis Leans Into the Loop on “Relapse,” a Pop Single That Knows Better and Still Goes Back

  There’s a certain kind of pop song that hinges on clarity – a clean...

  • Posted May 1, 2026
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  A Record That Breathes: The Nth Power Settle Into the Moment on ‘Never Alone’

  There’s a looseness to Never Alone that feels intentional. Across its eight tracks, The...

  • Posted May 1, 2026
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